WAGE SLAVE? MOI?

student-loans-wage-slaveryIt’s 209 years—1807 to 2016—since Britain abolished chattel slavery.  However, have you noticed she hasn’t troubled herself to abolish wage slavery yet – because that would REALLY piss the upper class off?

If the unearned rent of land—owed equally to everyone because it’s not a creature of the British upper class but of society as a whole—was captured both for public revenue and the distribution of a universal basic income, then the super wealthy would lose their privileges that tax laws currently grant, or gift, them.  We’d all be treated fairly.

But the British middle class and the rest of the world are so completely ignorant of the one third of GDP that is the economic rent of our natural resources, they actually believe land rents are owed to the holders of title – including the banks. Hey, guys! They’re YOURS!  Equally!

So, how long is it going to take to finish off the work begun by Wilberforce et al to put an end to the aristocracy’s slavery and rent-seeking?  When WILL the poor and middle class come to see they are indeed little more than try hard wage slaves: viz, real wages have actually declined since the early 1970s since the rent-seeking aristocracy began to improve its techniques of mercilessly ripping us all off?  (The ‘privatisation’ of our rent-yielding natural monopolies, gas, water, electricity, highways, has further aided them and cost everybody else.)

Maybe another 209 years?  418?  God knows!

Happy New Year!

FOR THE LOVE OF ONE’S COUNTRY IS A TERRIBLE THING

Island Home

 

 

 

A powerfully affecting book, Tim Winton – even for an eastern-stater.

And you know there’s a little-known economics underpinning every word?

 

 

 

MAX KEISER INTERVIEWS GERALD CELENTE


A STATE CAPITAL GAINS TAX?

State capital gains tax

SOLVING INEQUALITY

economy

MAY 2016 BE A HAPPY YEAR FOR REFORMERS!

Con v Lib

Economist, n.

economist

CRUMBLING COLOSSUS?

New Colossus

WHY THEY PUT A REFORMER TO DEATH

VALENTIN DE BOULOGNE (b. 1591, Coulommier-en-Brie, d. 1632, Roma) Christ Driving the Money Changers out of the Temple c. 1618 Oil on canvas 195 x 260 cm Galleria Nazionale d'Arte Antica, Rome The history of this painting has been traced back as far as 1666, when it was mentioned as part of the Spanish royal collection. In the first years of the nineteenth century Napoleon's uncle Cardinal Fesch added it to his boundless collection, acquiring it in all likelihood through the standard Napoleonic method of collecting by plunder. Upon the dispersal of the Fesch possessions in a series of sales in the 1840's, this important painting entered the collection of the Monte di Pietà, from which it passed to the National Gallery in 1895. The attribution to Valentin (1845) has been followed by all successive critics. The close dependence of this French artist on the style of Caravaggio extends even to the copying of individual passages like the figure lying on the ground to the left or the fleeing, screaming boy to the right. This, as well as, the use of strong light, chiaroscuro, and the realistic definition of the faces suggest a precocious date, perhaps around 1618. Despite the dependence on Caravaggio's style, the complex composition is fundamentally new. Everything is arranged along diagonals, carefully studied to give an overall sensation of whirling motion. Isolated in the centre of all this is the powerful figure of Christ. With his arm raised against a terrorized, fleeing crowd, this figure a very individual interpretation of its prototype, the Christ at the centre of Michelangelo's Sistine Chapel Last Judgment. --- Keywords: -------------- Author: VALENTIN DE BOULOGNE Title: Christ Driving the Money Changers out of the Temple Time-line: 1601-1650 School: French Form: painting Type: religious
VALENTIN DE BOULOGNE
(b. 1591, Coulommier-en-Brie, d. 1632, Roma)
Christ Driving the Money Changers out of the Temple
c. 1618
Oil on canvas 195 x 260 cm
Galleria Nazionale d’Arte Antica, Rome
The history of this painting has been traced back as far as 1666, when it was mentioned as part of the Spanish royal collection. In the first years of the nineteenth century Napoleon’s uncle Cardinal Fesch added it to his boundless collection, acquiring it in all likelihood through the standard Napoleonic method of collecting by plunder. Upon the dispersal of the Fesch possessions in a series of sales in the 1840’s, this important painting entered the collection of the Monte di Pietà, from which it passed to the National Gallery in 1895.
The attribution to Valentin (1845) has been followed by all successive critics. The close dependence of this French artist on the style of Caravaggio extends even to the copying of individual passages like the figure lying on the ground to the left or the fleeing, screaming boy to the right. This, as well as, the use of strong light, chiaroscuro, and the realistic definition of the faces suggest a precocious date, perhaps around 1618.
Despite the dependence on Caravaggio’s style, the complex composition is fundamentally new. Everything is arranged along diagonals, carefully studied to give an overall sensation of whirling motion. Isolated in the centre of all this is the powerful figure of Christ. With his arm raised against a terrorized, fleeing crowd, this figure a very individual interpretation of its prototype, the Christ at the centre of Michelangelo’s Sistine Chapel Last Judgment.
— Keywords: ————–
Author: VALENTIN DE BOULOGNE
Title: Christ Driving the Money Changers out of the Temple
Time-line: 1601-1650
School: French
Form: painting
Type: religious

kainet

 

ANYONE FOR A BASIC INCOME?

basic income

 

 

As proposed here –> http://www.msn.com/en-au/news/world/dutch-city-plans-to-pay-all-citizens-a-%e2%80%98basic-income%e2%80%99-and-greens-say-it-could-work-in-the-uk/ar-BBnWSuE?ocid=spartandhp

…. especially if it’s complemented by getting taxes off productive pursuits and onto rent-seeking in land!